THE SET PRESENTS
Five Sins of Maya
A CARNAL SINS STORY
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My alarm buzzes, but I keep my eyes closed.
Last night, when I reached for my coat before the party had truly started, my friends laughed.
“Maya has a bedtime.”
“She has to wake up at exactly six.”
I laughed with them, as I always do.
Buzz.
The alarm pulls me back into the room. Pale light slips between the curtains, and unanswered messages wait on my phone. Nothing is different, yet their words remain with me.
Am I really that predictable?
My life works exactly as it is supposed to. I wake at the same time, follow the same route to work and drink the same black coffee—even though it is always more bitter than I like.
I answer messages promptly. I remember birthdays. I arrive early and stay late when someone needs me.
People tell me I have everything together. Some call me perfect.
I never correct them. I do not want them to know how much effort it takes to make my life look effortless.
There is comfort in being dependable. I am the person my friends call when plans change, work becomes overwhelming or they need someone to listen.
I am always there.
Just never long enough to discover what happens after everyone stops behaving.
At night, I return home, remove my makeup and climb into bed at a reasonable hour. Then I spend an unreasonable amount of time scrolling through the lives of women I do not know.
They travel alone, wear colors I never reach for and dance in crowded rooms without checking how they look. I know their lives are edited.
Still, I watch.
At 10:14 AM, my phone lights up beside my coffee.
A new message has arrived in my friends’ group chat. The image is almost entirely black, interrupted by folds of cherry red and a soft blush-pink glow.
At its center are two words:
THE SET
I open the invitation.
OPENING NIGHT
Five nights only. Entry by invitation.
Location revealed upon confirmation.
The image dissolves into a video. Women move beneath burgundy light, their faces hidden in shadow and their bodies caught between motion and stillness.
A bass line slips through my phone. My foot taps once beneath the table before I catch myself and stop it.
Bing.
We have to do this, one of my friends writes.
Another sends a row of fire emojis. Someone asks what everyone is wearing.
I open the registration page and enter my name and email address. At the final question, my fingers stop.
Will you be joining us?
For one impulsive moment, I imagine myself there, swaying my body in a hot wine-red outfit, cuts to show my curves exactly in the right place.
But I do not dance in rooms full of strangers. I barely stay at parties once the real dancing begins. Even if I changed my mind, I own nothing that belongs in a place like that.
It looks amazing, but I can’t, I type.
I stare at the message, then erase amazing.
I can’t. You all have fun.
I turn my phone face down and return to work.
By lunch, I have opened the invitation three more times.
That evening, I stand before my closet, moving through work blouses, wedding dresses and nearly identical pairs of black pants. Everything I own is tasteful, appropriate and easy to wear without attracting attention.
It made me feel worse.
I close the closet and change into something familiar.
The decision is made.
I am not going.
I leave my apartment to pick up dinner. The air has cooled, music escapes through restaurant doors and groups of people pass me dressed for whatever the night might bring.
Halfway down the block, I reach Virelle, the boutique I have admired for months but never entered.
A dress stands alone in the window beneath a warm spotlight. It is deep cherry red, almost the wine-red color I imagined, darker where the fabric folds and almost luminous where the light touches it. It is bold without being excessive and elegant without trying to disappear.
My phone vibrates.
Your invitation is still waiting. Registration closes tonight.
For several seconds, I look from the invitation glowing on my phone to the dress behind the glass.
They belong to the same world.
A world I have already decided is not meant for me.
Someone enters the boutique. The door opens and slowly begins to close behind them.
I could continue walking. I could collect my dinner, return home, and prepare for another morning.
Instead, I cross the sidewalk.
I reach for the door before it closes.
-
The boutique door closes behind me with a quiet click.
For a moment, I remain just inside the entrance, my hand still resting on the handle. Warm amber light falls across polished floors, glass shelves and clothing arranged with enough space between each piece to make everything feel important.
The store is nearly empty.
A woman behind the counter looks up and smiles.
“Let me know if you would like to try anything.”
“I’m only looking.” Heat rises into my cheeks as I answer.
My eyes return to the dress in the window.
Up close, the color is even richer. Not quite red. Not quite burgundy. Wine-dark, almost cherry red within the folds and brighter wherever the light touches it. The neckline is lower than anything I usually wear, and the fabric gathers at the waist before falling against the body.
There is nowhere to hide inside a dress like that.
The woman follows my gaze.
“Would you like to try it on?”
My fingers tighten around my phone.
“No, I—”
My phone vibrates again.
Your invitation is still waiting.
I look at the dress.
Then at the woman.
A few minutes later, I am standing inside a fitting room with the dress hanging from a hook in front of me.
It looks daring in the window.
In here, it looks impossible.
I run my fingers over the fabric, searching for a reason to leave it on the hanger. The cut is too bold. The color is too noticeable. I have nowhere else to wear it. It probably costs more than I should spend on something I never planned to buy.
Every sensible thought arrives precisely when expected.
I begin unbuttoning my blouse anyway.
The dress catches briefly at my hips before settling into place. I pull the straps over my shoulders, smooth the fabric across my waist and turn toward the mirror.
Warmth spreads over my skin as I take in my reflection.
My first instinct is to find everything wrong.
I study where the material clings. I adjust the neckline. I turn sideways and wonder whether the dress reveals too much. I imagine brighter lights, crowded rooms and strangers with nothing better to do than notice every flaw I have learned to find in myself.
I nearly take it off.
Then I look again.
Not at my waist.
Not at the neckline.
At me.
The woman in the mirror is still recognizable. Her shoulders are slightly tense. Her hands remain uncertain at her sides. She has not suddenly become fearless simply because she has changed her clothes.
But she is not disappearing either.
The color makes my skin look warmer. The shape follows the curves I usually soften beneath careful layers. Even the way I stand begins to change—not dramatically, only enough for me to notice that I have stopped folding my shoulders forward.
I lift my chin.
For a second, the woman from my imagination looks back at me.
There is a knock on the fitting-room door.
“How does it feel?” the saleswoman asks.
Different, I think.
Dangerous.
Necessary.
“It fits,” I reply.
That is not what she asked, but it is the only answer I am prepared to give.
I change back into my clothes and carry the dress to the counter before I can reconsider.
As the saleswoman folds it, the paper tag swings toward me. Beneath the size, a name is printed in small gold letters:
AAJ KI RAAT
Tonight.
I read it twice.
Even the dress seems to know where it belongs.
When the total appears, I tap my card.
The dress disappears into the bag, followed by the receipt.
I step outside, still dazed by the decision I have just made. The evening feels different, although nothing around me has changed. The traffic is still slow. The restaurants are still crowded. My dinner is still waiting to be collected.
But now I am carrying something that does not belong to my ordinary life.
I stop beneath the boutique awning and open the invitation again.
My name and email address are still waiting on the registration page. Beneath them is the same final question.
Will you be joining us?
My thumb hovers over the choices.
I think about the dress folded inside the bag.
I think about returning home, hanging it in the back of my closet and promising myself I will wear it another time.
I already know what happens to things I save for someday.
I press YES.
The confirmation appears immediately.
Welcome to The Set.
An address follows, along with a time and one final instruction:
Come prepared to leave something behind.
I read the sentence twice. What am I supposed to leave behind I thought?
Then the group chat erupts.
WAIT. MAYA?
YOU’RE COMING?
I knew you would change your mind.
I smile at the screen but do not answer.
I have not changed my mind.
I have finally admitted what I wanted.
At home, I place the bag on my bed and stare at it while the minutes pass.
At eight-thirteen, I tell myself I still have time to cancel.
At eight-twenty, I remove the dress from the bag.
At eight-forty, I am standing in front of the bathroom mirror with one eye finished and the other bare, wondering what possessed me to believe I could do this.
By nine, the dress is on.
I stand before the full-length mirror in my bedroom.
“I want this.”
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Releasing on October 22nd
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Releasing on October 28th
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Releasing on November 2nd
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Releasing on November 11th
Five Weeks. Five Themes. Five Dances.
FIVE SATURDAYS
Your Set Schedule
October 17th - DESIRE
SONG: AAJ KI RAAT
October 24th - TEMPTATION
SONG: HALKAT JAWANI
SONG: KAMLI
October 31st - OBSESSION
November 7th - INDULGENCE
SONG: CHIKNI CHAMELI
November 14th - POWER
SONG: DHOOM MACHALE
Meet Us On The Set.
ATLANTA
All the information you need to make sure you are there on time with the right fit and look.
01
The Studio
Set 01 will take place in a central Atlanta dance studio designed for movement, choreography, and filming. The final studio name, address, parking information, and entrance instructions will be posted here and sent directly to every registered dancer before the first class.
Saturdays · 10:45AM–12:00 PM
Atlanta, Georgia
02
The Arrival
Please arrive 5-10 minutes before class to check in, settle into the space, and prepare to move. Warm-up will begin promptly at 10:45 AM, so we recommend arriving by 10:40 AM.
Bring water and anything you may need to feel comfortable during class. Parking, entrance, and check-in instructions will be included in your registration confirmation.
03
The Fit
Wear comfortable clothing that allows you to move freely, along with supportive sneakers or dance shoes. Black, burgundy, deep red, and neutral tones are encouraged to complement the visual world of Carnal Sins, but themed attire is never required.
Some weeks may include optional styling or outfit inspiration connected to that chapter. Any special details will be shared with registered dancers before class.
YOUR REGISTRATION INCLUDES
Everything You Need To Move.
Your registration includes guided choreography, creative direction, community, and the opportunity to step inside the story.
Instruction
Learn a new song and choreography in every class. Each session includes a warm-up, step-by-step breakdown, guided instruction, and time to practice the complete piece before filming.
Community
Move alongside a welcoming group of people who are ready to dance, connect, and try something new. Come independently or bring friends—no previous dance experience is required.
Content
Toward the end of each class, we will bring the choreography together and record what we have created. You will have opportunities to capture the piece as a full class, in smaller groups, and individually.
Story
Every class explores one chapter of Carnal Sins through its own emotion, song, movement quality, and performance style. Attend one chapter or follow the complete transformation across all five weeks.
Ready to Join Carnal Sins?
October 17th - November 14th
Saturdays 10:45-12:00 PM
Atlanta, Ga
Contact Information:
Email: theset@danceflixacademy.com
Call or Text: 828-518-0066